"ttyymmnn" (ttyymmnn)
05/10/2016 at 18:36 • Filed to: None | 3 | 12 |
This week, the Austin Symphony is performing Vårsång , a tone poem by Jean Sibelius which translates as “Spring Song.” My trumpet teacher once said, “Sibelius is some of the warmest cold music I know.” It’s a brilliant observation. Those who may be more familiar with Sibelius’ well known Finlandia , or his often-performed second symphony, will find this a wonderful breath of fresh air. And those of you who have never listened to Sibelius should give it a try. It’s a beautiful work.
d15b
> ttyymmnn
05/10/2016 at 18:38 | 0 |
I believe, this is what they call “high-brow” culture.
ttyymmnn
> d15b
05/10/2016 at 18:39 | 1 |
I can assure you, I’m not high brow. This is just beautiful music, no matter where your brow falls.
d15b
> ttyymmnn
05/10/2016 at 18:52 | 0 |
Here is a favorite of mine:
Rusty Vandura - www.tinyurl.com/keepoppo
> ttyymmnn
05/10/2016 at 18:52 | 0 |
Is it better than Nickelback?
ttyymmnn
> Rusty Vandura - www.tinyurl.com/keepoppo
05/10/2016 at 18:55 | 1 |
Just a bit.
Biggus Dickus (RevsBro)
> ttyymmnn
05/10/2016 at 18:57 | 0 |
I’ve never dabbled in sibelius. May need to change that. My jam for the day for your time:
ttyymmnn
> d15b
05/10/2016 at 18:58 | 1 |
Love me some Tchaik!
ttyymmnn
> Biggus Dickus (RevsBro)
05/10/2016 at 19:02 | 1 |
Hard to go wrong with Mozart. Here’s my favorite piano concerto, performed by Murray Perahia. The second movement is particularly beautiful.
Biggus Dickus (RevsBro)
> ttyymmnn
05/10/2016 at 19:23 | 0 |
No 23 is obviously his most popular but rightly so. I haven’t to Perahia’s interpretation but I have always liked Helene Grimaud’s quite a bit (I’m a pianist if you can’t tell).
ttyymmnn
> Biggus Dickus (RevsBro)
05/10/2016 at 20:28 | 1 |
I’ll have to listen to that performance. I find Perahia’s phrasing in the second movement simply amazing. Sometimes a note is held for only a millisecond longer than it appears on the page. But there is so much music in that sticky finger.
Cé hé sin
> ttyymmnn
05/11/2016 at 05:32 | 0 |
Vårsång
Which rather begs the question of why a Finnish composer used a Swedish title. More internationally accessible I suppose. Swedish remains a compulsory subject in Finnish schools and many don’t like it. The å in this propaganda poster is supposed to represent Swedish.
ttyymmnn
> Cé hé sin
05/11/2016 at 09:58 | 2 |
It is my understanding that, though Sibelius lived and wrote in Finland, he was of Swedish heritage. And the whole Finnish/Swedish language conflict was rather a big deal back then, too. I found this while doing a little digging. This piece was originally titled simply, “Improvisation.”
Goss, Glenda Dawn. Sibelius: A Composer’s Life and the Awakening of Finland